Natalie Toplass

Although my work is clearly representational, my intention is for the viewer to become immersed in what unfolds as a speculative visual narrative. Through the interplay of vibrant colour, whimsy, elements of natural life, and at times a touch of humour, I aim to draw the viewer into this narrative world. Each piece is created using oil paint, meticulously built up in numerous layers to achieve a vivid and translucent finish. This technique not only supports the depth and intensity of the colours but also enhances the overall drama of the composition.

After much contemplation, I have come to understand that the recurring themes in my work are most profoundly rooted in the significance of the natural world. Nature presents a remarkable combination of diversity and resilience, set against a backdrop of transience and fragility. By observing this interconnectedness, I am reminded that we are all part of something greater—something essential that transcends both theology and wealth. I find genuine delight in this liberating realisation.

Interwoven with these core values and occasionally serving as a kind of ‘theatrical’ backdrop, is the still life aspect of my work. I often draw inspiration from overlooked or discarded objects and places, using them to create a visual link within the painting. These elements develop their own provenance and stories, which I find particularly engaging. Recognising that narrative is fundamental to my practice, I am fascinated by the way these aspects combine and continue to evolve within my work.

Biog
Natalie established her professional painting career upon relocating to Shropshire in 2003, following comprehensive studies in Fine Art and postgraduate work in Stage and Set Design. Originally from Cheshire, she cultivated a passion for drawing from an early age. The floral shop opened by her parents provided further artistic inspiration; unsold flowers brought home became her frequent subjects, often rendered life-sized with coloured pencils, a formative stage in her development as an artist.

Transitioning from childhood sketches, Natalie began producing large-scale oil paintings featuring lush, magnified flowers. She attributes the impressive scale of her current works to her global experience as a scenic artist.

Her most recent pieces incorporate narrative elements inspired by encounters with derelict country houses during walks with her dog and the unique objects she discovers along the way. These motifs contribute to the visual storytelling present in her art. Natalie aims to convey the emotions and sense of wonder that nature evokes, asserting that even the simplest natural elements can elicit profound responses. By amplifying the scale of her subjects, she seeks to encourage viewers to engage with the underlying beauty and playfulness of her themes, inviting immersion beyond the immediate visual impression.

Her artwork has been exhibited internationally—in Tokyo, Singapore, London, New York, Australia, and locally in Shropshire. She has been featured in Artists and Illustrator’s magazine (2007), Shropshire Living Magazine (2021), and Collect Art magazine (2023), and has led masterclasses at the renowned West Dean College in Chichester.